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À travers le personnage de des Esseintes, Huysmans n'a pas seulement résumé, immortalisé les torpeurs, les langueurs, les névroses vénéneuses et perverses du siècle finissant. (Prices may vary for AK and HI.). (We suggest that readers not undertake this book until they have attained the age of 65!) The erudite commentary on the history of western culture is worth the read by itself. À rebours contains many themes that became associated with the Symbolist aesthetic. La particularité de ce roman est qu'il ne s'y passe presque rien : la narration se concentre essentiellement sur le personnage principal, Jean des Esseintes, un antihéros maladif, esthète et excentrique, et constitue une sorte de catalogue de ses goûts et dégoûts. Brief content visible, double tap to read full content. There are a few moments of real profundity here, really deeply felt rejection of the modern world and immersion in the senses as a means of bypassing the crudities of modernity. "French Naturalism and the Monstrous: J.-K. Huysmans and A Rebours,". Nerveuse, irritée, érudite; du début à la fin cette plume ne lâche pas sa proie. [4] "J.–K. As he wrote in his preface to the 1903 reissue of À rebours: It was the heyday of Naturalism, but this school, which should have rendered the inestimable service of giving us real characters in precisely described settings, had ended up harping on the same old themes and was treading water. It is widely believed that À rebours is the "poisonous French novel" that leads to the downfall of Dorian Gray in Oscar Wilde's The Picture of Dorian Gray. Our payment security system encrypts your information during transmission. To get the free app, enter your mobile phone number. I ordered this version of the novel because it was cheaper than the used ones. (1982). Reviewed in the United States on October 13, 2018. À rebours - Joris-Karl Huysmans Ce livre comporte une table des matières dynamique. Previous page of related Sponsored Products, Independently published (February 17, 2020). It was also translated into English as Against Nature. Bourget, at that time a close friend of Huysmans as of Wilde, admired it greatly; Paul Valéry called it his 'Bible and his bedside book' and this is what it became for Wilde. 10 According to Huysmans, the materialistic assumptions of naturalist literature in the nineteenth century circumscribed the fullness of human existence. We work hard to protect your security and privacy. [2] The book's plot is said to have dominated the action of Dorian, causing him to live an amoral life of sin and hedonism. Amazon Business: For business-only pricing, quantity discounts and FREE Shipping. For the song by British band Babyshambles, see. Umschlaggestaltung von Thomas Schultz-Overhage. In: This page was last edited on 5 April 2021, at 13:47. Dans À rebours, Des Esseintes hume « avec joie » les poèmes de Mallarmé.Une lettre de Stéphane Mallarmé à Joris-Karl Huysmans du 12 mai 1883 montre que le poète a suivi la genèse de l’œuvre. Des Esseintes cares little for classic French authors like Rabelais, Molière, Voltaire, Rousseau, and Diderot, preferring the works of Bourdaloue, Bossuet, Nicole, and Pascal. Reviewed in the United States on January 24, 2016, Reviewed in the United States on April 18, 2000. Diffusion sur France Culture le 16 mars 1968. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Huysmans' novel is essentially plotless. La langue française est magnifiée dans la complexité de sa syntaxe, la richesse de son vocabulaire et l’infinité des nuances de l’âme humaine qu’elle permet de dessiner. VII: "Yes, it was undoubtedly Schopenhauer who was in the right. Joris-Karl Huysmans, original name Charles-Marie-Georges Huysmans, (born Feb. 5, 1848, Paris, France—died May 12, 1907, Paris), French writer whose major novels epitomize successive phases of the aesthetic, spiritual, and intellectual life of late 19th-century France. I do not doubt therefore that it was in the most admiring, sympathetic and sincere good faith that he retailed to Huysmans what he had seen during the few moments he spent in Ali Baba's cave.'[5]. Il est parfaitement mis en page pour une lecture sur liseuse électronique. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming ..."[12]. A classic "novel"--though re-reading it this time, I was struck by the genre-blending that goes on in the text. À rebours de Joris-Karl Huysmans Le monsieur salua, déposa, dans la salle à manger, sur le parquet de pitch-pin, son bouclier qui oscilla, se soulevant un peu, allongeant une tête serpentine de tortue qui, soudain effarée, rentra sous sa carapace. Throughout his intellectual experiments, Des Esseintes recalls various debauched events and love affairs of his past in Paris. Something went wrong. Huysmans predicted his novel would be a failure with the public and critics: "It will be the biggest fiasco of the year—but I don't care a damn! Le pessimisme jusqu’à la névrose servi par une plume inouïe. Stéphane Mallarmé responded with the tribute "Prose pour Des Esseintes", published in La Revue indépendante on January 1, 1885. Ch. I didn't have a sense of the fun of the thing until the jewel-encrusted tortoise made its appearance, and by the "substituting enemas for the unpleasantness of having to eat" towards the end, the joke was almost worn out. It was late at night when the poet was shown over the house, and the only illumination came from a few scattered candelabra; yet in the flickering light Mallarmé observed that the door-bell was in fact a sacring-bell, that one room was furnished as a monastery cell and another as the cabin of a yacht, and that the third contained a Louis Quinze pulpit, three or four cathedral stalls and a strip of altar railing. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion. ", Text of an anonymous 1928 English translation, Illustrations by Arthur Zaidenberg from the 1931 Illustrated Editions issue of, https://en.wikipedia.org/w/index.php?title=À_rebours&oldid=1016117110, Short description is different from Wikidata, Articles needing additional references from March 2017, All articles needing additional references, Creative Commons Attribution-ShareAlike License, Bernheimer, Charles (1985). The protagonist, Des Esseintes, exhibits Please try your request again later. Joris-Karl Huysmans [ɥismɑːs]1, nom d'usage de Charles Marie Georges Huysmans, est un écrivain et critique d'art français, né le 5 février 1848 à Paris, et mort dans la même ville2 le 12 mai 1907. Shipping cost, delivery date, and order total (including tax) shown at checkout. 4.2 out of 5 stars 37. For all purposes, it looks as if the book has literally been copied from a PDF file. Mais Huismans vous le sert sur un plateau d’argent. Après la parution du livre, Mallarmé félicite Huysmans dans une lettre du 18 mai 1884 : « Le voici ce livre unique qui devait être fait ». He was shown, too, a sled picturesquely placed on a snow-white bearskin, a library of rare books in suitably-coloured bindings and the remains of an unfortunate tortoise whose shell had been coated with gold paint. Pocket Book. We use cookies to give you the best possible experience. Lots of description which can be interesting but in this case it seems over the top. Joris-Karl Huysmans (1848 - 1907), de son vrai nom Charles Marie Georges Huysmans, est un écrivain et critique d'art français. There was an error retrieving your Wish Lists. À rebours est un roman de Joris-Karl Huysmans paru en 1884 alors que son auteur était, intime d’Emile Zola, encore défenseur du naturalisme. The Project Gutenberg EBook of Against The Grain, by Joris-Karl Huysmans This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. Des Esseintes conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Special offers and product promotions. C’est tout d’abord la plume de cet auteur qui étonne par son souffle, son sens de l’image, sa nervosité, et qui est d’une précision méticuleuse, sans jamais lasser son lecteur, ni évoquer la moindre pédanterie. "From Des Esseintes to Roquentin: Toward a New Decadence?,", Halpern, Joseph (1978). Tuesday, 24 September 2013 Review: Against Nature (À Rebours), Joris-Karl Huysmans (1884) Huysmans’ Against Nature is a novel about one man (the rich but jaded aristocrat Des Esseintes) and the isolated life he crafts for himself – a life governed by aesthetic considerations and the desire to subvert, and even supersede, nature. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Against the Grain, novel by Joris-Karl Huysmans, published in French as À rebours in 1884. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Reviewed in the United Kingdom on February 5, 2021. Huysmans is best remembered for his 1884 Décadent novel À rebours. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. This famous poem has been described as "perhaps the most enigmatic of Mallarmé's works". The last scion of an aristocratic family, Des Esseintes loathes nineteenth-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. "The Conquest of Privacy in À Rebours." Des Esseintes, is a neurasthenic aristocrat who has turned his back on the vulgarity of modern life and retreated to an isolated country villa. In: Mickel, Emmanuel J. Joris-Karl Huysmans (1848–1907) is recognized as one of the most challenging and innovative figures in European literature and acknowledged as principal architect of the fin-de-siècle imagination. À rebours est un roman paru en 1884. He claimed no cures, offered the sick no compensation, no hope; but when all was said and done, his theory of Pessimism was the great comforter of superior minds and lofty souls; it revealed society as it was, insisted on the innate stupidity of women, pointed out the pitfalls of life, saved you from disillusionment by teaching you to expect as little as possible, to expect nothing at all if you were sufficiently strong-willed, indeed, to consider yourself lucky if you were not constantly visited by some unforeseen calamity" (Huysmans 2003, p. 78-79). The nineteenth-century German philosopher Arthur Schopenhauer, he exclaims, 'alone was in the right' with his philosophy of pessimism, and Des Esseintes connects Schopenhauer's pessimistic outlook with the resignation of The Imitation of Christ, a fifteenth-century Christian devotional work by Thomas à Kempis. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. Paperback. In the 1903 preface, Huysmans writes that he would have included, Conversation reported by Francis Enne in 1883, quoted by Baldick p.131, Reported by Huysmans in the 1903 preface to, Learn how and when to remove this template message, "Book Review: Against Nature (A Rebours)", "Decadent novel À rebours, or, Against Nature", "Huysmans the Sphinx: The Riddle of À Rebours. This "fantasy", originally entitled Seul (Alone), was to become À rebours. : Against Nature: A Rebours (Oxford World’s Classics) ( ): Joris-Karl Huysmans, Nicholas White, Margaret Mauldon: Books. À rebours (French pronunciation: ​[a ʁ(ə).buʁ]; translated Against Nature or Against the Grain) (1884) is a novel by the French writer Joris-Karl Huysmans. In both its style and its subject, the work epitomizes the decadence of late 19th-century French elite culture. Car ici, la forme ne fait que servir le fond, l’auteur, jamais ne se regarde écrire, point de longues descriptions lassantes plus ou moins poétique qui restent à la surface des choses. Though many critics were scandalised, it appealed to a young generation of aesthetes and writers. "[18] His prediction eventually proved true when Huysmans converted to Catholicism in the 1890s. Comment mieux finir cette année 2020 qu'avec une émission consacrée à Joris-Karl Huysmans. The Project Gutenberg EBook of A rebours, by Joris-Karl Huysmans This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. Five stars for service and delivery. Introduzione Pubblicato nel 1884, A ritroso (À rebours) 1 è il romanzo più noto di Joris-Karl Huysmans (Parigi, 1848 – Parigi, 1907), nonché uno dei testi chiave della letteratura francese ed europea della seconda metà dell’Ottocento. - F. Ferroud Collection universityofottawa; toronto Digitizing sponsor University of Ottawa Contributor University of Ottawa Language French. Unable to add item to List. Inutile de ressasser tout ce qui a été dit sur le roman et sur son écriture. The writers and dandies Charles Baudelaire and Jules Barbey d'Aurevilly also had some influence, but the most important model was the notorious aristocratic aesthete Robert de Montesquiou, who was also the basis for Baron de Charlus in Marcel Proust's À la recherche du temps perdu. The narrative is almost entirely a catalogue of the neurotic Des Esseintes's aesthetic tastes, musings on literature, painting, and religion, and hyperaesthesic sensory experiences. The Catholic writer Léon Bloy praised the novel, describing Huysmans as "formerly a Naturalist, but now an Idealist capable of the most exalted mysticism, and as far removed from the crapulous [gluttonous or drunken] Zola as if all the interplanetary spaces had suddenly accumulated between them. But will the author of À rebours make the same choice? According to Montesquiou writing many years later in his memoirs, the sight of these marvels left Mallarmé speechless with amazement. (Translated by Donald Davie)[16]. "Huysmans’s Against the Grain: The Willed Exile of the Introverted Decadent,", Lloyd, Christopher (1988). While he slowly drifted away from the Naturalists, Huysmans won new friends among the Symbolist and Catholic writers whose work he had praised in his novel. Members save with free shipping everyday! Huysmans's À Rebours and the Existential Vacuum,", Gromley, Lane (1980). He said to the Morning News: 'This last book of Huysmans is one of the best I have ever seen'. À Rebours (translated Against Nature or Against the Grain) (1884) is a novel by the French writer Joris-Karl Huysmans. The protagonist fills the house with his eclectic art collection, which notably consists of reprints of the paintings of Gustave Moreau (such as Salome Dancing before Herod and L'Apparition), drawings of Odilon Redon, and engravings of Jan Luyken. Il faut que je me réjouisse au-dessus du temps... quoique le monde ait horreur de ma joie, et que sa grossièreté ne sache pas ce que je veux dire. Your recently viewed items and featured recommendations, Select the department you want to search in. Please try again. Reviewed in the United Kingdom on May 13, 2016. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius (Des Esseintes praises the decadent Satyricon) and Apuleius (Metamorphoses, commonly known as The Golden Ass) as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages.

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