The Sigma 70mm F2.8 DG Macro is the first prime macro lens to be adorned with the Art badge. The USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA’s Canon EF mount interchangeable lenses with the Sony E-mount camera body. The specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. 3 FLD and 3 SLD glass elements; 3 aspherical lens elements; and 1 large-diameter aspherical element minimize chromatic aberration resulting in extremely sharp images. The Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. A Hyper Sonic Motor (HSM) ensures quiet, smooth and accurate autofocusing and paired with Special Low Dispersion (SLD) glass and Super Multi-Layer coating, the 50mm 1.4 is a high performance lens for the modern DSLR sensors. The Sigma Cine T2 is a stellar performer in low light, and offers a T2 stop throughout the entire zoom range. Point and shoot simplicity, Sigma quality. If autofocus, budget, and compactness are the critical success factors for your microbudget project, go for the Art line. Your email address will not be published. This popular category includes lenses such as the 50mm 1.4, 35mm 1.4, and 24-70mm 2.8. The filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well. Offering the bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of photography. Flash Accessories. Prioritizing optical performance, the lens features an extending, floating, two-group focus mechanism. JavaScript seems to be disabled in your browser. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. The Sigma 85mm 1.4 DG HSM Art is designed and engineered for unparalleled image quality. Using premium FLD & SLD glass elements, the lens brings aberrations and distortion to a minimum, an issue many wide-angle lenses suffer from. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. A tool countless photographers rely on for added reach, this category includes such lenses as the 70-200mm 2.8, 100-400mm and 150-600mm. Sigma recently loaned me a pair of the zooms for use on a project in the Scottish Highlands and so I took the opportunity to get to the bottom of things myself and find out the truth about the Sigma lenses. You must have JavaScript enabled in your browser to utilize the functionality of this website. Required fields are marked *. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. Copyright ©2020 Sigma Corporation of America. Having the gearing in the same position and standardized makes it easy to attach accessories and allows you to quickly change lenses. Sharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports, each ring and mount is sealed to prevent water and dust from entering. While cameras have come a long way in terms of autofocus for video, they have not been able to replace the fine tuned control an experienced focus puller can achieve. They are meant to take the rigors of set life. Yes! The heart & mind are the true lens of the camera. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. A 9 blade rounded diaphragm creates beautiful background bokeh to isolate and accentuate the subject. An exceptional option for cinematographers, this lens is compatible with image sensors larger than Super 35, now used in the latest digital cinema cameras. Gen. #0907906. Size: Sigma 18-35mm T2 ef mount manual 114mm Sigma 18-35mm Nikon mount. The best thing is if you use the Sigma Art lenses you can mix and cut them in seamlessly once you start your Sigma Cine collection. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. The hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use. The email address you entered was an invalid email. For a small charge, SIGMA can also convert the ring from one type to the other after purchase. Coming as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. Yes. After all this is said and done, there are reasons to use still lenses: Our Sigma Art still lenses provide excellent optics that can provide a cinematic look for your production, it just might require more time and work on your end to achieve that look. The Sigma 135mm F1.8 DG HSM Art is a medium range telephoto prime lens designed for modern high megapixel DSLRs. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. Gearing: Every Sigma Cine lens is properly geared to work with standard Cine accessories, whether it is a manual follow focus or a wireless system. With less than 1% distortion and near non-existent sagittal coma flare, this lens demonstrates consistent optical results featuring both 8K-compatible resolution and a beautiful bokeh. Color rendition: Uniformity of color and tone across all lenses is part of the Cine line’s mission. This configuration minimizes aberration to produce optimal results at any focus distance. Deal. More than an advance. Leveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Sigma Cine or Sigma Art lenses for Video Productions? Wide-angle to telephoto zoom and everything in between, multi-purpose lenses are designed to be light, versatile and highly efficient. © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, Sigma 18-35mm T2 High-Speed Zoom Lens (Canon EF). All of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Some lenses with Sigma image stabilization include the 24-105mm F4,150-600mm and 70-200mm 2.8. Information on rings and elsewhere is laser-engraved for use over the long term. A stunning compression effect makes the Sigma 135mm F1.8 Art the ideal portrait lens while its large aperture help with event photography and much more. Excellence comes standard with these all-purpose lenses. The Sigma 24-35mm F2 DG HSM Art is the worlds first full frame F2 zoom lens. Again, you need know that your lens is just going to work, to ensure this, nothing has been sacrificed in terms of the build quality. We close every Friday evening to Saturday evening for Shabbos. Please enable javascript for your best B&H experience. Photographers rely on these essential lenses, including the 14mm, 20mm, 24mm, 28mm, 12-24mm and 14-24mm. Key Features. ... We’re attending events all across the country—come experience Sigma cine in person. The 24-105mm F4 is a highly versatile focal range and staple everyday lens. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Covering a common prime lens lineup, the 24-35mm F2 DG HSM was designed for prime performance with the versatility of a zoom lens. Seeing lenses as valuable assets, SIGMA now makes the Mount Conversion Service available for its new cine lenses. The first addition to the Art category in Sigma’s Global Vision, the 35mm 1.4 DG HSM includes new features based around a unique lens concept and design. Less missed shots, less retakes, less time spent paying people and moving onto the next project. Cine lenses or cinema lenses are specifically designed to meet the specific demands of filmmaking. If you’re only going to purchase one cinema lens, the Sigma Cine 18-35mm T2 is hard to beat at a bargain price of $4,000. The 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. The body is made completely of metal to stand up to tough professional use over the long term. Save my name, email, and website in this browser for the next time I comment. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Deal. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Placed in the Art line, this large-aperture standard lens with an angle of view equivalent to 45mm on a 35mm camera is a superb go-to lens for artistic photography on an APS-C format digital SLR. Standard by definition, exceptional by performance. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through it focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. By including three FLD glass elements, two SLD glass elements, and one aspherical lens element, the optical system minimizes axial chromatic aberration to deliver extremely high resolution along with ample peripheral light volume. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. All Rights Reserved. *24-35mm T2.2 FF is not available in PL mount. To me, it comes down to a basic principal, what is the best tool to get the job done right. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The staple Sigma 50mm 1.4 DG HSM has been redesigned and reengineered to set a new standard for the Art line. Outdoor shooters will appreciate the dust- and splash-proof construction with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection. But would it be a lot easier to use a nail gun instead ? A new large Hyper Sonic Motor (HSM) delivers ample torque to the focusing group for outstanding speed, ensuring exceptionally stable performance even at lower speeds. The benefit of these efforts can now be enjoyed in cine lenses as well. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography.
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